Collection

Anzaldúa, Gloria Altares Collection

Span Dates: 1942-2004
Bulk Dates:
Volume: 25 boxes, 1 roll box

Description

This collection of figurines, small clay pots, masks, rattles, candles, altar cloths, and other ephemera was used by Gloria Anzaldúa as altar (altares) objects at her home in Santa Cruz, California. These altares were an integral part of her spiritual life and creative process as a writer.

Hist/Bio Note

"I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession." Gloria E. Anzaldúa from Borderlands/La Frontera (Aunt Lute Books, 1999) Anzaldúa was born in the Rio Grande Valley of south Texas, the eldest child of Urbano and Amalia Anzaldúa. She received her B.A. from Pan American University, her M.A. from University of Texas, Austin, and her Ph.D. (awarded posthumously) from the University of California, Santa Cruz. Independent scholar and creative writer Gloria E. Anzaldúa was an internationally acclaimed cultural theorist. As the author of Borderlands/La Frontera: The New Mestiza, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer identities. And as editor or co-editor of three multicultural anthologies, she played an equally vital role in developing an inclusionary, multicultural feminist movement. Anzaldúa's writings have been included in over 100 anthologies to date. Her works greatly impacted a wide variety of academic disciplines, including (but not limited to) American studies, Chicano/a studies, composition studies, cultural studies, ethnic studies, feminism and feminist theory, literary studies, queer theory, and women's studies. A versatile author, Anzaldúa published poetry, theoretical essays, short stories, autobiographical narratives, interviews, children's books, and multigenre edited collections. Her published works include This Bridge Called My Back: Writings by Radical Women of Color (1981, co-edited with Cherr?e Moraga), a ground-breaking collection of essays and poems widely recognized by scholars in Women's Studies as the premiere multicultural feminist text; Borderlands/La Frontera (1987), a founding text of Chicano/a Studies and Border Studies, as well as a classic of twentieth-century American literature; Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Feminists-of-Color (1990), a multigenre collection used in many university classrooms; two bilingual children's books "Friends from the Other Side/Amigos del otro lado and Prietita and the Ghost Woman/Prietita y la Llorona; Interviews/Entrevistas (2000), a memoir-like collection of interviews; this bridge we call home: radical visions for transformation (2002, co-edited with AnaLouise Keating), a multigenre collection that examines the current status of feminist/womanist theorizing; and additional stories and essays. Anzaldúa and her works won numerous awards, including a fiction award from the National Endowment of the Arts, the Before Columbus Foundation American Book Award, the Lamda Lesbian Small Book Press Award, the Susan Koppelman Award, the Smithsonian Notable Book Award, and the Americas Honor Award. Borderlands/La Frontera was selected as one of the 100 Best Books of the Century both by Hungry Mind Review and by Utne Reader.

Finding Aid

An online finding aid is available through the Online Archives of California.
https://oac.cdlib.org/findaid/ark:/13030/kt8q2nd6j8

Location

Special Collections and Archives, University Library, University of California, Santa Cruz.
https://guides.library.ucsc.edu/speccoll

Tags

Author/editor | Feminism | Latinx | Women's spirituality | Women and Religion | California